Lesson 1 Ms. Davis British Literature Jan. 11th (B) and Jan. 12th (A)

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1 Lesson 1 Ms. Davis British Literature Jan. 11th (B) and Jan. 12th (A)
Hamlet Lesson 1 Ms. Davis British Literature Jan. 11th (B) and Jan. 12th (A)

2 Text and Learning Outcomes
Hamlet, Act 1.1: lines 1–61 (Masterful Reading: lines 1–190) In this lesson, students begin their study of Hamlet by reading and viewing Act 1.1. Students explore Shakespeare’s language, initial plot points, and the setting of the play. Working in pairs and small groups, students begin to analyze the language, meaning, and implications of the first scene.

3 Standards RL Analyze how an author’s choices concerning how to structure specific parts of a text (e.g., the choice of where to begin or end a story, the choice to provide a comedic or tragic resolution) contribute to its overall structure and meaning as well as its aesthetic impact. L c Determine or clarify the meaning of unknown and multiple- meaning words and phrases based on grades 11–12 reading and content, choosing flexibly from a range of strategies. c. Consult general and specialized reference materials (e.g., dictionaries, glossaries, thesauruses), both print and digital, to find the pronunciation of a word or determine or clarify its precise meaning, its part of speech, its etymology, or its standard usage.

4 Assessment Student learning is assessed via a Quick Write at the end of the lesson. Students respond to the following prompt, citing textual evidence to support analysis and inferences drawn from the text. What choices does Shakespeare make about how to begin the play? How do these choices contribute to meaning and aesthetic impact?

5 High Performance Response
A High Performance Response should: Describe at least two choices Shakespeare makes to begin the play Explain how each choice either contributes to meaning or aesthetic impact.

6 Vocabulary Vocabulary to provide directly (will not include extended instruction) apparition (n.) – a supernatural appearance of a person or thing, especially a ghost assail (v.) – attack vigorously or violently; assault stalks (v.) – walks with measured, stiff, or haughty strides Vocabulary to teach (may include direct word work and/or questions) unfold yourself (phrase) – disclose your identity harrows (v.) – torments

7 Vocabulary late (adj.) – living until recently; not now living
haste (n.) – speed or motion of action dreaded (adj.) – causing great fear fortified (adj.) – made someone or something stronger

8 Activity 1 Read the title and the Dramatis Personae, or Character List. Discuss the following questions in pairs before sharing out with the class. What information do you gather from the full title of the play: The Tragedy of Hamlet, Prince of Denmark? What tragedies have you read thus far in high school, both in and out of class? What qualifies those texts as tragedies? What information does the reader learn from the first 6 lines (4 names) of the Dramatis Personae?

9 Activity 2 Listen to a masterful reading of Hamlet, Act 1.1, lines 1–190 (from “Who’s there? / Nay, answer me. Stand and unfold yourself” to “Where we shall find him most convenient”). Ask students to focus on what choices Shakespeare makes to begin the play. Students follow along, reading silently.

10 Activity 3 Get into your assigned small groups.
Annotate the text as you read and discuss. Read Act 1.1, lines 1–35 (from “Who’s there? / Nay, answer me. Stand and unfold yourself” to “He may approve our eyes and speak to it. / Tush, tush, ’twill not appear”).

11 Activity 3 cont. Answer the following questions before sharing out with the class: Describe Barnardo and Francisco’s tone in the first 5 lines. What words demonstrate their tone? What is Barnardo doing in lines 6–7? Based on the masterful reading and the Dramatis Personae, what is likely the “thing” that Horatio asks whether it has “appeared again tonight” (line 26)? Reread lines 28–30. According to Marcellus, what does Horatio think of the Ghost? How many times have Barnardo and Marcellus seen the Ghost? Why is Horatio present in this scene?

12 Activity 4 In groups, read lines 36–46 (from “Sit down awhile, / And let us once again assail your ears” to “Marcellus and myself, / The bell then beating one”) and answer the following questions before sharing out with the class. I need volunteers for the roles of (Barnardo, Francisco, Horatio, or Marcellus). In lines 36–39, what does Barnardo suggest to Horatio? What mood does Shakespeare create through Bernardo’s story? How does he accomplish this?

13 Activity 5 In groups, read lines 47–61 (from “Peace, break thee off! Look where it comes again” to “Stay! speak! speak! I charge thee, speak!”) and answer the following questions before sharing out with the class. How does each of the men react to the appearance of the Ghost? Whom does the Ghost look like? What is the cumulative impact of the men’s reactions on the mood of the text? Reread lines 54–58. Using the explanatory notes and context, paraphrase these lines. What does Horatio ask of the Ghost? How does the Ghost react to Horatio’s speech? In addition to Barnardo’s story and the men’s reactions to the Ghost, how does Shakespeare create a mood in this act?

14 Activity 6 Respond briefly in writing to the following prompt:
What choices does Shakespeare make about how to begin the play? How do these choices contribute to meaning and aesthetic impact? Use this lesson’s vocabulary wherever possible in their written responses. Use the Short Response Rubric and Checklist to guide their written responses.

15 Activity 7: Homework Reread Act 1.1, lines 1–190 (from “Who’s there? / Nay, answer me. Stand and unfold yourself” to “Where we shall find him most convenient”) and write an objective summary of the scene. Use this lesson’s vocabulary wherever possible in your written response. Remember to use the Short Response Rubric and Checklist to guide your written response.