Preface vs. Prologue

Main Difference

The main difference between Preface and Prologue is that the Preface is a introduction to a book or other literary work by the author and Prologue is a opening to a story that establishes the setting and gives background details.

• Preface

  A preface () or proem () is an introduction to a book or other literary work written by the work’s author. An introductory essay written by a different person is a foreword and precedes an author’s preface. The preface often closes with acknowledgments of those who assisted in the literary work.

  A preface generally covers the story of how the book came into being, or how the idea for the book was developed; this is often followed by thanks and acknowledgments to people who were helpful to the author during the time of writing.

  A preface is usually signed (and the date and place of writing often follow the typeset signature); a foreword by another person is always signed. Information essential to the main text is generally placed in a set of explanatory notes, or perhaps in an “Introduction” that may be paginated with Arabic numerals, rather than in the preface. The term preface can also mean any preliminary or introductory statement. It is sometimes abbreviated pref.

  Preface comes from the Latin, meaning either “spoken before” (prae and fatia) or “made before” (prae + factum). While the former source of the word could have preface meaning the same as prologue, the latter strongly implies an introduction written before the body of the book. With this meaning of stated intention, British publishing up to at least the middle of the twentieth century distinguished between preface and introduction.

• Prologue

  A prologue or prolog (from Greek 蟺蟻蠈位慰纬慰蟼 prologos, from 蟺蟻蠈 pro, “before” and 位蠈纬慰蟼 logos, “word”) is an opening to a story that establishes the context and gives background details, often some earlier story that ties into the main one, and other miscellaneous information. The Ancient Greek pr贸logos included the modern meaning of prologue, but was of wider significance, more like the meaning of preface. The importance, therefore, of the prologue in Greek drama was very great; it sometimes almost took the place of a romance, to which, or to an episode in which, the play itself succeeded.

  It is believed that the prologue in this form was practically the invention of Euripides, and with him, as has been said, it takes the place of an explanatory first act. This may help to modify the objection which criticism has often brought against the Greek prologue, as an impertinence, a useless growth prefixed to the play, and standing as a barrier between us and our enjoyment of it. The point precisely is that, to an Athenian audience, it was useful and pertinent, as supplying just what they needed to make the succeeding scenes intelligible. But it is difficult to accept the view that Euripides invented the plan of producing a god out of a machine to justify the action of deity upon man, because it is plain that he himself disliked this interference of the supernatural and did not believe in it. He seems, in such a typical prologue as that to the Hippolytus, to be accepting a conventional formula, and employing it, almost perversely, as a medium for his ironic rationalism.